Femme Fatale Movie Review & Film Summary (2. Sly as a snake, Brian De Palma's . This is pure filmmaking, elegant and slippery. I haven't had as much fun second- guessing a movie since . Her team includes the usual crew of heist- movie types, and we get the usual details, like the guy in the wet suit, the laser- cutter and the TV spycam that attracts the attention of an inquisitive cat. Femme fatale (2002) 30 agosto 2009. Se non vedi i video, CAMBIA IL DNS!! THRILLER – DURATA 105. Femme Fatale is glossy, glamorous cinema as collage. Maybe all the pieces of a truly good film noir are here, but the filmmaker has opted simply to toss them into the. Femme Fatale summary of box office results, charts and release information and related links. IMDb > Femme Fatale (2002) Own the rights? Femme Fatale is a great example of a director working in a genre he loves and understands. Femme Fatale movie reviews & Metacritic score: A contemporary film noir about an alluring seductress suddenly exposed to the world -- and her enemies -- by a. Credits, reviews and ratings, trivia, bloopers, promotional information, technical details, multimedia, and links. Femme Fatale (2002) Directed by Brian De Palma Cast: Rebecca Romijn-Stamos, Antonio Banderas, Peter Coyote, Eriq Ebouany, Gregg Henry, Rie Rasmussen, Edouard Montoute. Tipo de filme longa-metragem. Curiosidades 1 curiosidade. But the movie announces its originality when none of these characters perform as they expect to, and Laure Ash steals the diamonds not only from the model but also from her fellow criminals. Advertisement. No, I have not given away too much. The fact is, I have given away less than nothing, as you will fully appreciate after seeing the film. The long opening sequences, about 4. De Palma's camera regards these characters in their devious movements, we begin to get the idea: This is a movie about watching and being watched, about seeing and not knowing what you see. Romijn- Stamos plays Laure Ash as a supremely self- confident woman with a well- developed sense of life's ironies. Chance plays a huge role in her fate. Consider that not long after the theft, while trying to avoid being spotted in Paris, she is mistaken for a grieving widow, taken home from a funeral, and finds herself in possession of an airplane ticket to New York and a passport with a photo that looks exactly like her. I cannot tell any more. I will, however, describe her relationship with Nicolas Bardo (Antonio Banderas), a paparazzo who photographs her in 2. Paris as the wife of the American ambassador (Peter Coyote). She wants that film: . The movie tricks us, but not unfairly, and for the attentive viewer there are markers along the way to suggest what De Palma is up to. Above all, he is up to an exercise in superb style and craftsmanship. The movie is very light on dialogue, and many of the words that are spoken come across as if the characters are imitating movie actors (the film opens with Laure watching . I've seen the movie twice; it's one of those films like . Only on the second viewing did I spot the sly moment when the subtitles supply standard thriller dialogue- -but the lips of the actors are not moving. This is a movie joke worthy of Luis Bunuel. Romijn- Stamos may or may not be a great actress, but in . She is also very sexy, and let it be said that De Palma, at least, has not followed other directors into a sheepish retreat from nudity, seduction, desire and erotic wordplay. When it comes to sex, the characters in . Consider also these titles: . It's not just that he sometimes works in the style of Hitchcock, but that he has the nerve to.
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